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Are YOU a guitar contrarian???
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Thread: Are YOU a guitar contrarian???

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  1. #1
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    Quote Originally Posted by Ch0jin
    Your Marshall should have, and did, blow the 18W into the weeds.....

    (I know which one I'd rather have in my apartment though.....)
    Yup. and I never left the VPR or went above 4.

    And I'd rather have the Marshall in my apartment, if I had one. The JCM 2000 still sounds really good at low volumes.


    SVL... a Classic 30? I'd LOVE to have one of those bad boys. In fact, I recently dropped that hint to someone who has the means and desire to feed my GAS... I'll let you know how that works out. ;-)
    Electrics: '07 Gibson Les Paul Classic Antique, Oscar Schmidt OE40N Hollowbody aka. "Fat Girl"
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  2. #2
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    Absolutely a contrarian! Here's a partial list of voodoo/mojo BS that make virtually no sonic difference on electrics:

    - Body/neck/fingerboard "tonewood"
    - Finish
    - Nut material
    - Bridge/saddles
    - Tail piece
    - Fret metal
    - Pickup covers (or none)
    - Brand of tone capacitors, pots, switches
    - Type of wires
    - Cable to amp
    - Shielding

  3. #3
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    Quote Originally Posted by Heywood Jablomie
    Absolutely a contrarian! Here's a partial list of voodoo/mojo BS that make virtually no sonic difference on electrics:

    - Body/neck/fingerboard "tonewood"
    - Finish
    - Nut material
    - Bridge/saddles
    - Tail piece
    - Fret metal
    - Pickup covers (or none)
    - Brand of tone capacitors, pots, switches
    - Type of wires
    - Cable to amp
    - Shielding
    I respectfully disagree, although I do believe fingers and amph are the larger denominators.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
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  4. #4
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    Quote Originally Posted by oldguy
    I respectfully disagree, although I do believe fingers and amph are the larger denominators.
    Although I don't give a rat's anus whether or not anyone agrees with my opinion, it seems rather silly to disagree in this case, considering the thread topic.

  5. #5
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    Quote Originally Posted by Heywood Jablomie
    Although I don't give a rat's anus whether or not anyone agrees with my opinion, it seems rather silly to disagree in this case, considering the thread topic.
    Well, I guess the point of this discussion board is discussion, huh? Just sayin'.

    Curious about your post though -- what do you value or what would you say matters in guitars?
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
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  6. #6
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    Quote Originally Posted by Eric
    Curious about your post though -- what do you value or what would you say matters in guitars?
    As far as electric guitars are concerned, I think the amp/effects are the most defining thing. I've heard guys with 335s that sound like Telecasters, for example, although Strats do have a singularly unique sound that doesn't seem to be duplicatable (and maybe Ric 12s).

    I mostly chafe against the endless touting of aftermarket parts in the likes of Premier Guitar, claiming total tonal transformation of one's guitar.

    Arbitrary perception, who famous played one, etc. seems to be a bigger deal with a lot of players, especially younger ones. For example, Casinos and 330s were considered somewhat bargain models in the 60s Kalamazoo line, but because of Lennon's rooftop performance, the Casino is HUGE. And it seems that guitars often sell more for aesthetics than other factors. I often wonder what players would choose if they had to make their choices blindfolded.

    The "placebo effect" of guitar mods is not to be underestimated, either. People who swear that the new nut made their guitar a "tone monster" (I hate that expression), are absolutely positive that it's true. Same for bulltique capacitors. Hell, my guitars sound different from day to day just subject to my mood.

    Now here's the cool thing, as far as I'm concerned: When I was playing in the 60s, there was Fender, Gibson, Guild and junk (Teisco, Harmony, etc.) I preferred Gibson. Having re-entered the world of electric guitars a few years ago, I was quite pleased to discover all of the VERY playable guitars available at price points starting at $200. I got an Epiphone Dot Studio as my re-entry guitar. After replacing the pickups with P90s (I had a Gibson 330 and SG Special in the 60s and always loved P90s, and the Epi hot bridge pickups are horrid), I find no logical reason to upgrade to a "better" guitar.

    On the other hand, I think the variables in acoustic guitars are vast, and the differences between the cheap ones and the good ones are huge. Now if I could just afford that D28.......
    Last edited by Heywood Jablomie; February 17th, 2010 at 01:32 PM.

  7. #7
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    I won't delve any further into this topic than to say that, if somebody tries to sell you something and uses the term "mojo" as part of the sales spiel, head for the exit....
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  8. #8
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    Quote Originally Posted by mainestratman
    Yup. and I never left the VPR or went above 4.

    And I'd rather have the Marshall in my apartment, if I had one. The JCM 2000 still sounds really good at low volumes.


    SVL... a Classic 30? I'd LOVE to have one of those bad boys. In fact, I recently dropped that hint to someone who has the means and desire to feed my GAS... I'll let you know how that works out. ;-)
    MSM, there are a couple of good Peavey Classic 30 and or Delta threads around here. It is a good amph. A bit more direct and mid voiced than the Fender 4x10, and plenty loud. I have never played much through a Marshall so I can't say how it would compare. It does like red LEDs though! Let us know how it works out!

    Bottom line regarding these contrarian things, I tend to like what I like I guess. And I am too much of a noob even after not quite 4 years to pretend I really can hear things like different finish on a strat, or the back cover on or off. I can tell if I like a guitar or not though, and that is usually a gut thing.

    I guess my one contrarian thing is I think my MIM Fender strat sounds just as good as any American I have played, including an Eric Johnson. But I am not sure I would say that about every MIM strat. Also, a used Digitech Bad Monkey with a repaired battery is just as good as a basic TS9 in my book.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
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