ok ive just had a sick idea of installing a bigsby on an accoustic. only thing is i dont know whether or not it will work well and i dont want to mod or b**ger up my guild. so i was thinking knock off bigsbyish vibrato on an argos special. only problem is is it worth it just as an experiment
Cool, I've never noticed that on the Brian Adams cover before...
I'd guess that there would have to be some bracing installed under the bridge?
Otherwise, might be a cool mod.
Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)Acoustics:Washburn D10CEQSB, Yamaha FG160E
Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5
Yeah, I would think there would have to be some serious bracing, which would seem to make it a plugged-in instrument, rather than really unplugged. I just don't see how you could get real good vibration out of a nice acoustic top with all that hardware and a bunch of bracing.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Ibanez made a couple of flattops with vibratos years ago. They weren't around for very long. A laminated top would be a good idea but I can't think how you'll get enough break angle over the bridge.
Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)
Acoustic: Guitar > microphone > audience
Or how he spells his name apparently... haha sorry, I couldn't resistOriginally Posted by t_ross33
and I'm a proud Canuck tooOriginally Posted by Ch0jin
Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)Acoustics:Washburn D10CEQSB, Yamaha FG160E
Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5
it must justsound like a gretsch unplugged then