Spud, that's a lot of talent. By the way what genre do you play?
Ok, I'll ask what the heck is crocs?
Spud, that's a lot of talent. By the way what genre do you play?
Ok, I'll ask what the heck is crocs?
Simple....loud.: Ok,ok rock, funk, blues, experimental.Originally Posted by street music
Crocks? Uh oh. Since you had to ask you are now required to don the appropriate. You must now venture forth to Costco and procure your very own..plus one pair for Tone.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
Man, you are one hard a$$ judge tonight.Originally Posted by Spudman
Mark
* Loud is good, good is better!
Ole man, I walked into that one! SHOES! Do I really have too? I think I can remember my brother wearing those ?????:
I like your choices of genre.
Maybe I learned something else tonight. The advise I got for my practice sessions has already helped me.
Originally Posted by street music
pssst. . . . they are the things on my feet in my gig pics above.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Great stories.
Creamed Spud is classic!!
We need cream pie smilies & LOTS of'em.
I pick a moon dog.
"things", good alternate name for themOriginally Posted by sunvalleylaw
Mark
* Loud is good, good is better!
Hey dude! You ought to try a pair. They feel really good. I've been known to rock with 'em on.Originally Posted by just strum
At my age (and weight class), it ain't about looks, it's all about comfort. Hence the name "big old ron".
Steve, I can't believe I wrote it that way! Thanks for reposting and sorry dude for my harsh comment ;-) But these crocks...man.....you know...
Here's the story of my first gig with my first band. We were invited to support the local metal heroes at that time. This was only because we had hundreds of friends and schoolmates to come to our gig, so these guys thought it would be a good idea to let us do the support so that they could sell their demo.
Our singer lost his voice and because he was to nervous, so we had to give him Japanese oil to regain his voice. The gig was a typical beginners gig. We ran out of songs pretty soon and had to play some of the songs two times. We had an instrumental so that everybody could show his ability : on the instrument. Our timing was horrific and our drummer only knew the ***** batch rhythm at that time, but in two variations: Slow and fast!
Now here comes the highlight of this evening:
I played so many solos that the guitarist of the other band was totally pissed. My solos were bad but my colleagues from school celebrated my solos like if they were played by Kirk Hammett. Now the other guy felt like he had to prove that he is the best, so he came on stage and wanted a guitar battle. He plugged his Charvel Strat into his Marshall and played in front of my nose. I didn't know what was going on, but the kids were either luaghing or booing at him. I played some silly pentatonic stuff and used my wah wah and the kids were cheering. Now, some 15 years later I ashamed of what was going on their and still feel sorry for that poor guy, because he blew me away with his playing :-)
By the way, this could have also been the second gig, don't know if we played 1 or 2 parties before....but it is definitely a happening of the mid 80's.
"A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)
Jimi's story brings up some questions:
I assume that there are often ego wars between the guitar players from different bands.
For you road warriors how well did you get along with bands that you shared the bill with?
Ever jam with other guitarists after the show?
I pick a moon dog.
Never had a problem with other bands. Sure we jammed with otehr bands that we played and toured with. This one guy was really an exception and I do not understand his reaction.Originally Posted by tot_Ou_tard
"A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)
I did a tour to support a record that our singer and other guitarist had put out on the East coast. We worked with different bands some of the tour but there was usually one or two that were constant. We all got along great, respected each other for what they did and at the end of each night who ever had the headline spot allowed the other band's members to join in on an encore or two. Usually it was just singing but a couple of times there was still an extra amph on stage. Usually the previous band removed their back line before the other bands went on.Originally Posted by tot_Ou_tard
Other bands that would come see us play or were on the same bill all got along fine. We really supported each other and were friendly. However, when the lights went down we all tried to out do each other.:
I loved playing first and letting other bands go on afterward. While they were playing we would be stealing their women.:
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
I've had great experiences with other musicians, and have never ran into big egos. Our gig opening for the Poverty Plainsmen last summer was an awesome experience and they were a great bunch of guys - very supportive and encouraging. Since the gig was in our drummer's hometown, it was "our" crowd and they wanted to do whatever they could to make sure we had a good night. Quite the opposite from what I expected from a major headlining band.Originally Posted by tot_Ou_tard
My earliest experiences were playing with my Dad at local jams etc. When he started to do the country music festival "circuit" in the early 80's there was more jamming around campfires and campers then there was on stage. Good times, good times I learned SO much about rhthym, timing and picking up on songs you've never played before from sitting in on those sessions.
Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)Acoustics:Washburn D10CEQSB, Yamaha FG160E
Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5
Someday I shall post one.
Mark
* Loud is good, good is better!
A long, long time ago.......................................
Our manager set up three bands to play at a huge skating ring, with three separate stages, PA, lights and all - to shoot promo video. I was using a wireless and before we went on, I noticed another guitar coming through my amp. I found the player in the other band and asked him to please keep his wireless off when we did our set. He basically told me to get bent.
So..............................
I switched to a cord and we played our set, but I could see him trying to play over me with his wireless and laughing. We finished our set and it was their turn up. Genius boy didn't have the grey matter to switch to a cord. I snuck behind their stage when they were up with my wireless and had a great time hammering away at off key gibberish to be heard from his amp. He lost his mind, but never tried to grab a cord.
Payback - Satisfying
The look on his face while he was running around with his hair on fire trying to figure out what to do - Priceless
He didn't say a word to me when we all loaded out..................
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
That's a great story Planky. I would have loved to witness that.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
No way Jimi!!! I thought it was totally funny!!! That is why I reposted it!. :Originally Posted by Jimi75
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson