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Thread: The Great Pick/Gear Debate and the Value of the Additional Cost

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  1. #1
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    Quote Originally Posted by evenkeel
    This discussion reminds me how "personal" playing guitar is. Bass players, drummers, keyboard players, just don't seem to have this emotional/personal attachment to the instrument. I've watched a zillion jams over the years and have never seen a guitar player borrow an axe to join the jam. Yet bass players often do, drummers, keyboard guys always. I've seen all kinds of singers join a jam, have never seen one bring there own mic. So.... all these little things like choice of picks, strings (Strums fave subject), pickups etc.. are part of the phenomenon.
    I'll agree that in my limited experience that bass players tend to be more laid back about these sorts of things, but just peruse the TalkBass forums sometime and you'll see GAS and related insanities are alive and well in the bass world. Post a thread about whether SX basses are any good or not, sit back, and watch the show.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  2. #2
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    The only person a player's gear has to please is the player - be it over the top, boutique, expensive, cheap, or "spark-o-matic". If the player feels good about his gear, it's all good........................even if the player is playing a '59 Les Paul with $300 cables through a Super Skull Splitter spark-o-matic amp.

    A player needs only to justify his gear to himself.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  3. #3
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    Quote Originally Posted by Plank_Spanker
    The only person a player's gear has to please is the player - be it over the top, boutique, expensive, cheap, or "spark-o-matic". If the player feels good about his gear, it's all good........................even if the player is playing a '59 Les Paul with $300 cables through a Super Skull Splitter spark-o-matic amp.

    A player needs only to justify his gear to himself.
    You are a sage. Very nicely put.:

    ps. where do I find this Super Skull Splitter Spark-o-matic?

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  4. #4
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    Quote Originally Posted by Spudman
    ps. where do I find this Super Skull Splitter Spark-o-matic?
    You dont have one??? What kind of collector are you??
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

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