Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Mark Wein also has some good free vids on this point, including ways to increase your reach, etc.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Haha Ummm, the 'front of house engineer'.Originally Posted by Da Boss
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
― Ira Glass
Some good stuff here already.
*Learn the fretboard*
Even if you play by ear, everything you do will make so much more sense to you, and open up your playing like you never imagined.
Jeff Kollman (Glenn Hughes, UFO, Cosmosquad, Bombastic Meatbats) passed along something that really helps. When he was learning, he drew the fretboard on a piece of cardboard and put it in front of him to better visualize different positions for chords and lead runs, etc.
*Don't be afraid to try new things*
Maybe it's learning slide technique, or learning to funk it up with a Wah-Wah...or experimenting with a different music genre or style. Have fun.
That is the other thing I have worked on. I am not sure I needed that straight off, but it is sure a good pursuit now. Learning pentatonic patterns, learning minor and major patterns, and from there, learning the chord tones and triads to focus on in all of the above.
msteeln, I love that Ira Glass quote!
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
excellent thoughts here guys...here's what I wish i'd known...
1. The act of creating doesn't guarantee awesome.
2. Use forearm strength rather than thumb strength to fret chords.
3. Get to know overplaying, then don't do it.
4. Everyone needs a 'talent' pedal.
5. Have fun, always.
That Ira Glass quote is boss...
Put space between the notes.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
"Sometimes you have to play a long time to be able to play like yourself." - Miles Davis
Put your feelings, your heart, and your soul into it. When you play something... anything... it should always sound like you. Otherwise, you may sound as if a cardboard cutout is playing instead of you.
Regardless what we might think of Slash, here is a performance without much feeling or soul. It isn't bad, just lifeless:
I take it to mean pretty much the same thing as your previous post. Whatever you do, try to do it authentically. It's great to learn how to play songs the way they're recorded to learn different techniques, but it's that much more fun when you have enough skill to play it your way. Deconstruction and reconstruction is something I learned a lot of from Miles and his cadre of musicians.
One I've recently thought of is that I always paused when going up or down a scale when I hit the "end". This definitely impacted my progression and playing in a negative way. Now that I smoothly go up and down my fingers get a much better workout.
oh great... thread... i love to plya guitar.. but i am not expert in playing guitar... any one here who is expert in guitar from india??? because i want nods of a india song... ??
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I have been thinking long and hard about this. I have 2:
1. Learn to play what you like - I started with lessons and played music I wasn't interested in. 2 months in when I couldn't play anything that sounded like music, I quit and didn't pick up guitar for almost 2 years until...
2. This one might be debateable and I'm wondering if anybody will roll their eyes about this. Learn Powerchords first! - I wish I learned power chords right off the bat. They sound awesome, you can make so many songs off of 2 string power chords, they teach you all of the E and A string roots, they set you up for soloing in the right key, and the E shape barre chords fall in right easily because you're almost already there...
I had so much fun with powerchords when I first learned them, I couldn't put the guitar down. I was making up riffs, trying to figure out classic riffs by ear... It really opened up the world of guitar for me. To this day, if I'm having trouble with a chord progression, I will sometimes work it out in power chords if I can.