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What's the 1 pedal you cannot live without?

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Times change, and so does my #1 pedal. Right now, it's a 3-way tie:

3-way_tie.jpg
 
Well if it is a tie why don't you just put them all in one box? Now that is a challenge for ya.:D

duhvoodooman said:
Times change, and so does my #1 pedal. Right now, it's a 3-way tie:

3-way_tie.jpg
 
The one that switches my Traynor YCV 40's drive channel on.
I can actually live w/o pedals if I've got guitar, cable, amp.
It's a plus if I have amp w/ reverb, drive channel, ext. cab.:beer:
 
Hey Guys
My pedal would be my Eric Clapton Crossroads pedal ay. Or a Boss BD-2 Blues Driver (don't have one but have heard one)

Cheers
GREENMACHINE:D :rockon:
 
I do not have the the one I could not live without yet....It is definitely not the Boss DS-1 as I find it to be pretty thin, and surely not the Danelectro Fab Tone...altho there is some usable fuzz in that one....and the RP80 well to me that thing is a joke....

I am interested in modding my DS-1, buying a Bad Monkey and a Screamin Blues and I HAVE to get my hands on a good Crybaby or Morley Bad Horsie Wah pedal.
 
Number 2: Boss RC-2 Looper.

The drum samples helps me work on my timing.

Being able to record rythym with the drum samples & solo over that or record lead & play rythym over that is indispesible.

If you don't have a looper with drum tracks, then screw all those dirt boxes & flange-a-ma-delay-o-whirls, they might be a delightful obsession, but I submit that your priorities are out'ta whack.

That is unlesss your timing is already impeccable &/or you play with others every week.
 
Since I only have two, I can answer both threads in one post.

Damn, I only have two and I'm not sure if one is classified as a pedal.

Anyway, at this stage I would have to say my Jamman is my number one pedal. As noted by a couple people here, it is a great tool to have when playing by myself (not "with"). It's a great timing tool and also gives me a better feel for the components of a song.

Of course that leaves my Vox VFS2 as my #2. although I really liked the added dimension it offers when practicing/playing with someone else.
 
Boss ME-50. Over 60 effects and more without the hassle of the pedal chain board I used to deal with.
5382ME50set.jpg

Here, it's set up as I use it most: as a headphone practice 'amp' (it also takes an Aux Input to play along with....drum machine, cd, whatever...) that's simultaneously going into my amp and in stereo to 2 channels of my mixer & in-turn, recorder. The 2-button switch to the right is a $20 Behringer AB200 A-B-Y switch that I use instead of falling for Boss's excuse to buy 2 of their $25 FS-5U momentary latching switches (still need the $6 stereo Y/insert cable) to switch the ME-50 up & down it's 10 Patch Banks to flip between 30 Presets I've customized for various electric and acoustic/electric guitars.

There's also an ME50B for Bass. Either usually sells new for about $299US and they came out this past year with a scaled down version, the ME-20, that sells for $100 less.
 
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Wings,

I like the ME-50. They can be picked up at a good price if you watch e-bay enough to stick one. I went to the Boss site and did some reading up on it and it isn't a bad deal. How would you rate the effects some of the better pedals you've heard or owned?
 
Strum,
Compared to others I've had or heard? Well, I'll have to apoligize first to the rest of the Fretters for dragging this thread a little off-topic by going into a quick 'review' here of the unit...

The 22 different Overdrives & Distortions include 11 faithful working versions of 5 of Boss's Biggies - my favorite being the 2 I had, the OD-1 & BD-2 (BluesDriver) - and very decent 'models' of 6 others, including the Ibanez Tube Screamer (TS-808, 'the Greenie') I'd had in my board. All better than the MXR Distortion+, which was my 4th of that breed.

From what I've seen in this thread and in Fretters' sigs, or with DVM's rig, I don't think I'm alone in saying that there's no single Overdrive or Distortion pedal that's a be-all end-all if you use different guitars (single coil loaded vs HB's, for instance) and/or amps. What's nice about the ME-50 is the OD/DiS section is you can, to a degree, combine the effects of 2 or 3 of the 11 OD/Dist units with what amounts to 11 preset combos of them.

The Mono & Stereo Chourses and Delays are on a par with Boss's big guy multis of those devices, maybe giving up just a bit of fine adjustment control. The Reverbs are decent, and independent of the Delay section.

The Expression Pedal is a little tricky because it doesn't have the 'travel width', particularly of a Cry Baby Wah; you need to be 'light on the foot'. So those who use a Wah 'extensively' may not dig it. For that touchiness reason, too, I prefer, still, to use my old Goodrich photocell Volume Pedal after this, and while the onboard Tuner is pretty good in pinch, I still count on my Boss TU-12H for crtical tuning.

I traded my 30 yr-old board loaded with 'vintage' stuff, some pretty beat up (stomp boxes, right?): the Cry Baby and those 4 Distortion pedals, plus an old Ross Flanger, an MXR Stereo Phaser, MXR Stereo Chorus and MXR DynaComp Compressor and a Boss NoiseGate, a power supply and all the little cables and patchjacks for this, even up. All I had to buy was the PSA-120 AC Adapter (it also runs on 6 AA's if you need it to).

I feel like I got everything I had in that board, or at least used alot, plus I got a Harmonizer, an Octaver pedal, and more.

The biggest advantage? a lot less signal degradation and invitation to interfereence & noise from all that daisy-chaining. One plug in, one plug out.
 
I have to change my original pedal choice from the modded TS9 to the Dah Voodoo Man's Zonkin Yellow Screamer. Everything else now just completely sucks...except for the Tonebone Hot British.:)
 
Boss TU-2 (on account of my tin ear)

The rest of the pedals come and go.
 
If I were to choose one pedal it would be my Fulltone Fulldrive II. Od and gain pedal. Actually all of my Fulltone pedals are the cats ***. The OCD, the Mini deja vibe are also amazing. I have recently purchased a Boss DD20 Giga Delay and we shall see how it fits in.
 
Ibanez TS-9. No it's not modded and it sounds fantastic. Just yesterday we rehearsed and the Marshall JTM45 and the TS-9 are big friends that deliver some really mean sounds. This pedal does a great job and I have been using it for more than 10 years right now. I was at a point where I thought that I do not want that sound no more, but with the new amph this pedal remained my number one.
 
Spudman said:
I have to change my original pedal choice from the modded TS9 to the Dah Voodoo Man's Zonkin Yellow Screamer. Everything else now just completely sucks...except for the Tonebone Hot British.:)



yea that too my voodoo special ds1

Who dah man:dude:
 
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