Originally Posted by
Suhnton
I agree.
Years ago, when racks were all the rage, I had an ADA preamp going into a Yamaha power amp (MOSFET). It sounded very cold. I changed the ADA out to a Lee Jackson tube preamp, same thing.
Nowadays I just use stompboxes into a Fender Twin (not mine, it's down at the rehearsal room), and it sounds MUCH better (either that or my hearing had deteriorated).
Again, all I can say is that the Axe FX is changing all of that. I grew up playing tube amps, and own a very nice one now. I didn't jump into building a rack with the Axe FX lightly at all. It really does sound and respond like a real tube amp - no fizz, "can of bees", digital artifacts.....................cleans up when played soft or guitar volume dialed down, punchy like a real tube amp with plenty of thump, warm and vibrant, and infinitely tweakable to whatever pleases you.
I'm not saying it makes tube amps obsolete. I'm just saying that the Axe FX is not the fizz box that people normally assume with rack processors. Cliff Chase at Fractal Audio is changing the game.
Last edited by Plank_Spanker; July 22nd, 2009 at 12:26 PM.
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.